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Did you know there are several renowned art galleries on campus featuring changing exhibitions and collections? Galleries are located in and around the Berrie Center, and admission is free.
The Art Galleries are aligned with the School of Contemporary Arts and serve as a fertile resource for the College and area communities. In addition to faculty and senior thesis exhibitions, the Kresge and Pascal Galleries in the Berrie Center present a vibrant, international contemporary exhibition schedule. Ramapo College is also home to one of the largest academic collections of Haitian Art in any U.S. academic institution, which is continuously presented in the Selden Rodman Gallery of Popular Arts in B-Wing. The Learning Commons Gallery features regional artists, collections, interdisciplinary shows, and occasional student projects.
For information on navigation, parking, and help finding the Galleries:

Lost Synagogues of Europe: Paintings and Histories brings to life seventy-seven European synagogues destroyed by antisemitism, war, and political upheaval, rendered in evocative gouache paintings and historical prose.
Prints of these paintings by artist Andrea Strongwater will be on view in the Learning Commons from January 29th – March 31st.
Image: Andrea Strongwater,Great Synagogue Danzig Exterior, 2025, gouache.
Location:Selden Rodman Gallery of Popular Arts, B Wing – B130

A small showing of paintings and drawings by the Haitian master, who was one of the most important woman Haitian artists of the 20th century.
This exhibition will be on view in through April 10th, with a reception on Wednesday, March 25th at 5 PM.
Image: Luce Turnier, Untitled, 1980, drawing. From the collection of Axelle Liautaud.

A group exhibition of contemporary artists curated by Director of the Art Galleries Sydney Jenkins and feminist artist and curator Donna Kessinger.
Planned public programs include a lecture relating to goddesses history, a film screening and academic panel, exhibiting artists’ talks, and performance art.
From the classical to fashion history to myth to popular culture and political art, this exhibition will flex numerous ways to think about the meaning ofGoddesses.
Artists represented range from Dara Birnbaum, Nancy Spero, Mary Beth Edelson, and Carolee Schneemann to Myrlande Constant, Vanessa Beecroft, and Mariko Mori, among others.
This exhibition will be on view in through April 10th, with a reception on Wednesday, March 25th at 5 PM.
Dates of other GODDESSES 3.0 events to be announced soon!
View the information page for this exhibition here!
Image: Pat Lay, Altar Heads Series #4: Diviner, 2003, fired clay, steel, gold leaf.

Please join us in the Berrie Center Café at 11:30 for a special talk by Art Historian Maria Loh in whichshe bridges renaissance imagery and notions of misogyny.
This event is held in conjunction withGODDESSES 3.0, on view in the Kresge and Pascal Galleries February 25 – April 10. More information on GODDESSES 3.0can be found here!
ABSTRACT
ABOUT THE SPEAKER
Maria H. Loh is Professor of Art History at the Institute for Advanced Study in Princeton.Previously, she taught at CUNY Hunter College for six years andat University College London for over a decade. She isa contributor toArt in Americaandthe author of three books—Titian Remade. Repetition and the Transformation of Early Modern Italian Art(2007);Still Lives. Death, Desire, and the Portrait of the Old Master(2015); andTitian’s Touch. Art, Magic, & Philosophy(2019). She has also written on: horror and“special affect” in early modern painting and sculpture;rainbow imagery in Stuart England;melancholia and the Renaissance in Ottocento Italy; remakes in Chinese cinema; repetition in Hitchcock’sVertigo; seriality and Sherrie Levine; and the “open work” of Jeff Wall. Her forthcoming book—Liquid Sky—will be written for a general audience.
Image: Maria Loh, courtesy of the Institute for Advanced Study.

As part of theGODDESSES 3.0exhibition, on view February 25 – April 10, the Ramapo College Art Galleries are pleased to present a screening of Carolee Schneemann’s Ask the Goddess (1991).
Ask the Goddess is a provocative performance in which Schneemann interacts with the audience by responding to sexual and psychic dilemmas read from cards they have submitted. A continuous relay of projected slides comprises an iconography of Goddess symbols, taboo and sacred, including images of animal attributes. Schneemann reacts spontaneously to the questions; she channels cogent answers triggered by the unpredictable images and finds herself physically activated, turning into a howling wolf or crawling across the projection area, squealing like a pig. (Description via Electronic Arts Intermix).
PLEASE NOTE: This film contains adult content.
Following the screening, there will be a panel discussion featuring , director of the Carolee Schneemann Foundation, , professor at the School of the Art Institute of Chicago, and , co-curator of GODDESSES 3.0 and feminist video artist.
Location: Room G126
Image: Carolee Schneemann,Ask the Goddess, 1991. Photo courtesy of the Carolee Schneemann Foundation.

Join us in the Kresge and Pascal Galleries on Wednesday, March 25th from 5 – 7 PM to explore and celebrate the GODDESSES 3.0 and Relative to the Collection: Luce Turnier exhibitions!
The evening will begin with time to view the galleries, followed by artist and curator talks at 6 PM.
View the GODDESSES 3.0 information page here!
Refreshments will be provided.
Image: NancySpero,A New Consciousness(detail), print, Ramapo College Collection, gift of the artist.
A group exhibition celebrating the achievements of graduating seniors. On view in the Kresge and Pascal Galleries.
Exact viewing hours for this exhibition to be announced.
Tue, Thur, Fri 1-5 p.m.
Wed 1-7 p.m.

Tue 1-4:30 p.m.
Wed 1-7 p.m.
Galleries closed Spring Break

Directions are for all the campus art galleries and begin at the Berrie Center Box Office. When entering the Berrie Center from the main parking lot, the Box Office is on the left. The art galleries are on the next level (middle level). You can take the stairs or the elevator.

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